The Infamy of Amaru essays

The Infamy of Amaru essays The Inca of yesterday is the same modern Peru of today. Both the old and the new Inca/Peru hold the same two people dear to their hearts. TÃ ºpac Amaru, whose untimely death at the age of 28 left the accent Inca in silence, was an Incan revolutionary leader of the sixteenth century (Werlich, 41). Amaru is remembered by his Incan and Peruvian peoples alike as being the one who changed the political atmosphere and the morale of their people. Amarus name has survived throughout five centuries as a symbol against injustice. Amaru was born during the year of 1571, into a lineage that stemmed from a long line of royalty. Amaru was a direct descendent of Huayna Capac, who was the Eleventh emperor of the Inca empire. Amaru was also the fourth Vilcabamba emperor to rule. Vilcabamba was a region in the Inca Empire made up of mountains and jungle wilderness located north of Cuzco (Werlich, 47). TÃ ºpac was the legitimate son of Inca Yupanqui and being a legitimate son has great significance according to Incan Belief. The Incas believed only the legitimate children or the children of whose mother was loved more could rule. One text has his initial name as Amaru TÃ ºpac Inca. Not much is written about the history of TÃ ºpac Amaru but what was kept record of mainly focuses on his birth and the details during his revolutionary responsibilities. What is clearly understood from that time of his rule is the immense wealth of love that was bestowed upon him by his Incan peoples. When TÃ ºpac Amaru was killed, the Conquistadors had his decapitated head mounted on a pole. The head of TÃ ºpac Amaru was supposed to strike fear in those Incans who plotted rebellious deeds. Quite to the contrary, the Incas did not fear the Spaniards nor saw Amarus severe head as a sign of defeat. Rather the Incan people came out in masses to celebrate their leader (Stirling, 138). This made it known that the Incas would not be subdued quietly. TÃ ºpac Amaru l...

Which Promotions Work and Which Dont

Which Promotions Work and Which Dont Im of the mind, these days, that ninety percent of promotional efforts are wasted. The world is choked with books, writers, people fighting to make a living with their words. Anyone can write a book, and anyone can post one for sale. After years of promoting novels, even from a platform such as FundsforWriters, Ive learned a hard lesson: Most promotional efforts do not work. We read blogs and ask for advice, trying to figure out which marketing tools work best. Well, guess KONICA MINOLTA DIGITAL CAMERA what? Any tool being touted as the best, any trick being shouted as effective, or any method being taught as the way to sell the most books . . . does not work. Why? Because everybody wants to do what works, and if everybody is doing it, then it becomes white noise and it quits working. Those people telling you the best way to sell are making more money telling you how to sell than selling their own books, unless they are selling how-to-sell books. Who wants to be a party to feeding that monster? Twitter is clogged with people shouting to buy their book. Sit back and watch your Twitter feed. Its been proven that saying buy my book never works, yet thousands continue to spew it. Facebook has groups that do nothing but post books for sale, and a zillion people keep posting their books on those groups like they are going to sell those books to all those other authors trying to sell their books. Goodreads is noisy with readers and authors trying to figure out what to do with Goodreads. Nobody has been able to say theyve made tons of sales via Goodreads. Do the Google search if you dont believe me. The bottom line is there is no one way to promote yourself, but you better be sure of the following no matter how you go about marketing: 1) Whatever you do has to be original, or originally implemented. 2) You better write a lot of books, because for someone to like you, they have to know they can binge on you if they find you interesting (a la Netflix Syndrome). Having one book only pisses them off. 3) You best be genuine in whatever you do. Its just so sad to see writers travel from event to event, sitting at lines of tables, in a room of several dozen authors, thinking they will stand out. They might as well be hiding. Quit asking others what they did, because its already been done. Quit following the crowds. Write your books. Promote in a manner that makes you feel good about yourself. And finally, be yourself. Readers are hungry for fresh and real. Thats hard to find because everyone is struggling so hard to be like everyone else. Get real.